Robert Ariza (Hamilton, Spring Awakening) and Maya Jacobson (Fiddler on the Roof) join the podsquad to discuss how even quirky cult musicals like Little Shop carry deeper critiques of capitalism and power. While early in their careers, both actors bring insight into how the stage can be a space for healing, rebellion, and storytelling that transcends language and background.
Robert Ariza is a dynamic and versatile stage actor known for his work in boundary-breaking productions that blend artistry with activism. A proud alum of the groundbreaking Spring Awakening revival by Deaf West Theatre, Robert stepped into a unique role as a swing, learning American Sign Language from scratch to help bring an inclusive and visually stunning production to life on Broadway. His work reflects a deep commitment to storytelling that empowers marginalized voices and pushes the boundaries of traditional theater.
Robert’s journey has also led him to the national tours of Hamilton (Chicago), Les Misérables (North America), Natasha, Pierre & The Great Comet of 1812 (Shanghai).
Best known for her role in the acclaimed Yiddish Fiddler on the Roof, Maya Jacobson brought powerful emotional nuance to a production that not only celebrated Jewish heritage but also honored her own family’s Holocaust history. Regionally, she has been seen in Beautiful: The Carole King Musical (Asolo Repertory Theatre), A Crucible 001 (Bard), Fiddler on the Roof (Paper Mill Playhouse), Fun Home (Studio Theatre), Fiddler on the Roof (The Lyric Opera of Chicago), A Walk on the Moon (George Street Playhouse).
