Hamlet

Something is rotten in the state of Denmark. A vivid reimagining of one of the world’s best psychological thrillers tells the tale of a courtly world turned upside down. The king is mysteriously killed. A brother has stolen his crown and bride. Young Hamlet, usurped heir, is thrust into a morass of intrigue, treachery, madness and revenge.

January 25-27 — Preview performances
February 4 — Opening Performance
February 5 — Open captioned performance, with dialog, stage direction, and sound effects communicated on a “universal access” live caption unit; On-site childcare available; Post-show discussion
February 7 — Socially distanced seating

Something is rotten in the state of Denmark. A vivid reimagining of one of the world’s best psychological thrillers tells the tale of a courtly world turned upside down. The king is mysteriously killed. A brother has stolen his crown and bride. Young Hamlet, usurped heir, is thrust into a morass of intrigue, treachery, madness and revenge.

January 25-27 — Preview performances
February 4 — Opening Performance
February 5 — Open captioned performance, with dialog, stage direction, and sound effects communicated on a “universal access” live caption unit; On-site childcare available; Post-show discussion
February 7 — Socially distanced seating

Something is rotten in the state of Denmark. A vivid reimagining of one of the world’s best psychological thrillers tells the tale of a courtly world turned upside down. The king is mysteriously killed. A brother has stolen his crown and bride. Young Hamlet, usurped heir, is thrust into a morass of intrigue, treachery, madness and revenge.

January 25-27 — Preview performances
February 4 — Opening Performance
February 5 — Open captioned performance, with dialog, stage direction, and sound effects communicated on a “universal access” live caption unit; On-site childcare available; Post-show discussion
February 7 — Socially distanced seating

Something is rotten in the state of Denmark. A vivid reimagining of one of the world’s best psychological thrillers tells the tale of a courtly world turned upside down. The king is mysteriously killed. A brother has stolen his crown and bride. Young Hamlet, usurped heir, is thrust into a morass of intrigue, treachery, madness and revenge.

January 25-27 — Preview performances
February 4 — Opening Performance
February 5 — Open captioned performance, with dialog, stage direction, and sound effects communicated on a “universal access” live caption unit; On-site childcare available; Post-show discussion
February 7 — Socially distanced seating

Something is rotten in the state of Denmark. A vivid reimagining of one of the world’s best psychological thrillers tells the tale of a courtly world turned upside down. The king is mysteriously killed. A brother has stolen his crown and bride. Young Hamlet, usurped heir, is thrust into a morass of intrigue, treachery, madness and revenge.

January 25-27 — Preview performances
February 4 — Opening Performance
February 5 — Open captioned performance, with dialog, stage direction, and sound effects communicated on a “universal access” live caption unit; On-site childcare available; Post-show discussion
February 7 — Socially distanced seating

Something is rotten in the state of Denmark. A vivid reimagining of one of the world’s best psychological thrillers tells the tale of a courtly world turned upside down. The king is mysteriously killed. A brother has stolen his crown and bride. Young Hamlet, usurped heir, is thrust into a morass of intrigue, treachery, madness and revenge.

January 25-27 — Preview performances
February 4 — Opening Performance
February 5 — Open captioned performance, with dialog, stage direction, and sound effects communicated on a “universal access” live caption unit; On-site childcare available; Post-show discussion
February 7 — Socially distanced seating

Something is rotten in the state of Denmark. A vivid reimagining of one of the world’s best psychological thrillers tells the tale of a courtly world turned upside down. The king is mysteriously killed. A brother has stolen his crown and bride. Young Hamlet, usurped heir, is thrust into a morass of intrigue, treachery, madness and revenge.

January 25-27 — Preview performances
February 4 — Opening Performance
February 5 — Open captioned performance, with dialog, stage direction, and sound effects communicated on a “universal access” live caption unit; On-site childcare available; Post-show discussion
February 7 — Socially distanced seating

Something is rotten in the state of Denmark. A vivid reimagining of one of the world’s best psychological thrillers tells the tale of a courtly world turned upside down. The king is mysteriously killed. A brother has stolen his crown and bride. Young Hamlet, usurped heir, is thrust into a morass of intrigue, treachery, madness and revenge.

January 25-27 — Preview performances
February 4 — Opening Performance
February 5 — Open captioned performance, with dialog, stage direction, and sound effects communicated on a “universal access” live caption unit; On-site childcare available; Post-show discussion
February 7 — Socially distanced seating

Something is rotten in the state of Denmark. A vivid reimagining of one of the world’s best psychological thrillers tells the tale of a courtly world turned upside down. The king is mysteriously killed. A brother has stolen his crown and bride. Young Hamlet, usurped heir, is thrust into a morass of intrigue, treachery, madness and revenge.

January 25-27 — Preview performances
February 4 — Opening Performance
February 5 — Open captioned performance, with dialog, stage direction, and sound effects communicated on a “universal access” live caption unit; On-site childcare available; Post-show discussion
February 7 — Socially distanced seating

Something is rotten in the state of Denmark. A vivid reimagining of one of the world’s best psychological thrillers tells the tale of a courtly world turned upside down. The king is mysteriously killed. A brother has stolen his crown and bride. Young Hamlet, usurped heir, is thrust into a morass of intrigue, treachery, madness and revenge.

January 25-27 — Preview performances
February 4 — Opening Performance
February 5 — Open captioned performance, with dialog, stage direction, and sound effects communicated on a “universal access” live caption unit; On-site childcare available; Post-show discussion
February 7 — Socially distanced seating