A Conversation with Jason Robert Brown
This week marks the 12th anniversary of the Broadway opening of The Bridges of Madison County. The musical, which is based
A Conversation with BULL DURHAM’S Nik Walker
Nik Walker is a Boston native, theme park nerd and proud NYU Tisch alum (Adler, Classical and Stonestreet)- who’s been
Erin Sullivan on WITH LOVE, MARILYN
Hear what Erin Sullivan has to say about taking her one-woman love letter to Marilyn Monroe across the pond.
Q&A with ‘Severance’s’ Sarah Bock
Two years before her ‘Severance’ audition, Sarah Bock could be seen on North Carolina stages. Hear what she had to say to Beltline to Broadway then about theater, Baby Shark, and more.
Q&A with Kristin Chenoweth
Kristin Chenoweth talks to Beltline to Broadway about faith, Broadway, and Wicked.
A Conversation with HAMILTON’S Fergie L. Philippe
Hear what Fergie L. Philippe has to say about regional theaters, puppetry, Disney, HAMILTON, and more.
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Theater Review: Burning Coal’s Production of ‘Talley’s Folly’ Masterfully Ebbs and Flows
It is hard to know if Lanford Wilson was aware of the concept of beshert when he wrote his Pulitzer Prize-winning play TALLEY’S FOLLY, or if the team at Burning Coal Theatre understood its cultural significance prior to mounting its current production, but there is something about this particular “no-holds barred” love story that is so enchanting, it’s almost spiritual. Read what Lauren Van Hemert has to say about the Burning Coal Theatre production of this Pulitzer Prize-winning play.
Theater Review: ‘Rent’ Still Resonates with a New Generation of Theatergoers
“I was once asked if RENT was still relevant. At that time, I wasn’t sure what to say. But I know now, after seeing it live, and seeing parts of myself reflected on stage, that in the current climate of the world we live in, RENT is still relevant, and will be for as long as it runs. Read what else Junior Critic Grace Niesel, has to say about the national tour of RENT.
Theater Review: Solid Performances Can’t Rescue ‘The Last 5 Years’
It’s hard to reconcile the Temple Theatre/RhinoLeap production of Jason Robert Brown’s THE LAST 5 YEARS. On the one hand, the performances are quite good and well worth seeing. On the other hand, the haphazardness of the show, from its structure to some of the creative choices, is puzzling. Read Lauren Van Hemert’s RDU on Stage review of the Temple Theatre/RhinoLeap production of Jason Robert Brown’s THE LAST 5 YEARS.
Theater Review: Theatre in the Park’s ‘The Santaland Diaries’ Hauls Out the Holly (and Laughs) for a 13th Time
Read Lauren Van Hemert’s RDU on Stage Triangle theater review of the Theatre in the Park production of THE SANTALAND DIARIES.