Read Kim Jackson's review of the St. John's MCC production of Marat/Sade.
"Mike Wiley demands the audience be more fully present, witness the story, and at times, even calls upon viewers to participate directly." Read what Kim Jackson has to say about the North Carolina Stage Company production of BLOOD DONE SIGN MY NAME.
Embracing both the challenges and opportunities of technology, the Women’s Theatre Festival Fringe series streamed a variety of “live” performances on Saturday night, providing a possible glimpse of how we might be experiencing theatre as the coronavirus pandemic continues. Read what Kim Jackson has to say about the first weekend of virtual productions.
Burning Coal Theatre’s production of Accord(ing) by co-creators and directors Bronwen Carson and Vieve Radha Price, presented in collaboration with SoundingLine Arts and TÉA Creative, is an immersive sensory experience that explores how individuals struggle with a variety of internal and external forces when making decisions. Read Kim Jackson's review.